A final jury in Paris, including Els Barents, Director of the Huis Marseille Museum of Photography; Roxana Marcoci, Curator of Photography at the Museum of Modern Art, New York and Curator of the Paris Photo 2012 Platform; Edward Robinson, LACMA associate curator of photography; Thomas Seelig, Curator of the Fotomuseum Winterthur, will select the winners for both prizes, which will be revealed at the opening of Paris Photo on November 14, 2012.
A $10,000 prize will be awarded to the photographer/artist* whose first photobook is deemed by an independent jury to be best of the year.
Criteria for Eligibility
- A book in which the dominant content is photography, produced in physical form, and distributed either for purchase or free of charge.
- A book which is the first by the given photographer/artist is eligible for entry, whether a first self-published book, a first limited-edition book, a first gallery-published collection, a first book made available by print-on-demand, or a first book published by a publisher for release in the book trade. A first book published by an established publisher is eligible for entry even if the photographer/artist previously released a self-published book or a limited-edition book for distribution outside the trade. However, once a photographer/artist has had a book published by a mainstream publisher in the book trade, a subsequent book (whether self-published or not) is not eligible for entry.
- May be released by a publisher (in a trade or limited edition) or self-published.
- First books eligible for entry include those produced via print-on-demand.
- A book released by a publisher is eligible if it is the first trade book by the given photographer/artist, even if an earlier limited-edition or self published book has previously been made available by that artist/photographer.
- Books must be produced or published between September 1, 2011, and September 8, 2012. Books produced before September 8, 2012, but not due for release or publication until a later date in 2012, are also eligible.
PhotoBook of the Year
The PhotoBook of the Year Prize will be awarded to the photographer/artist*, and publisher responsible, whose book is deemed by an independent jury to be the best of the year.
Criteria for Eligibility
- A book in which the dominant content is photography, produced in physical form, and published in an edition of no less than one hundred copies.
- Books must be produced or published between September 1, 2011, and September 8, 2012. Books produced before September 8, 2012, but not due for release or publication until a later date in 2012, are also eligible for entry.
*Books by or featuring the work of more than one photographer/artist are eligible in both categories.
First PhotoBook: $30 per book
PhotoBook of the Year: $60 for first entry from a given publisher, $30 for each subsequent entry from the same publisher”
“Open to all photographers who have an interest in photo books and the process of self-publishing. Held in celebration of the Indie Photobook Library, a selection of which is on display at the PRC this month.
Neal Rantoul is a career artist and teacher. He has taught photography since 1971. He is currently head of the Photography Program at Northeastern University and taught for thirteen years at Harvard University as well as at the New England School of Photography. Rantoul is member of the Board of Directors of the PRC.”
832 Commonwealth Avenue
Boston, Massachusetts [map]
Photographic Resources Center at Boston University
“Threefold” Selections from the Indie Photobook Library
Curated by Larissa Leclair, Shane Lavalette and George Slade
Reception: Wednesday, September 21, 2011, 6:30 to 8:00 pm
Exhibition will be on view until November 12, 2011.
“In the last decade various technologies have enabled artists to publish not only small editions of a book, but individual volumes when needed. Now, instead of a few books being made in large quantities, many books are being made in small quantities. The Indie Photobook Library (iPL), founded by Larissa Leclair in 2010, is committed to cataloging and preserving examples of the multitude of books that may never find their way into conventional library catalogues because of their modesty, or because they were often created by individual artists whose practice doesn’t include conventional distribution.
“Threefold” reflects the idiosyncratic interests of three curators — Shane Lavalette, Larissa Leclair, and George Slade — each adopting a unique focal point in an attempt to represent a remarkable moment in contemporary independent publishing.” (From the PRC’s website.)
Photographic Resource Center at Boston University
832 Commonwealth Avenue
Boston, Massachusetts 02215
In November 2009 Elizabeth Avedon interviewed Eric Miles, Director of photo-eye Auctions about photo book collecting. You can read the still very relevant interview here, on Elizabeth Avedon’s blog.
At the end of May we told you about a panel discussion about “The Future of Photobooks” happening at the Flash Forward Festival in Boston. On Saturday, June 4th, Andy Adams, Miki Johnson, Shane Lavalette, Michael Itkoff, Bruno Ceschel, and Alan Rapp participated in this discussion, moderated by Stephen Mayes, Managing Director, VII Photo. ”The discussion explored the state of photobook production, consumption and distribution in the Internet Era.”
If you were not able to attend the festival, you can see a video of the discussion here or on Andy Adams’ website. Scroll down on the page on his website so you don’t miss the extensive list of online photobook resources Andy has up there as well (thanks, Andy!).
“The 4th Photobook Festival will once again focus on current developments in the genre of the photographic book. Internationally renowned guests have been invited to present their work and to engage with the visitors to the festival. Workshops, screenings, reviews, exhibitions, trade stalls and the presentation of our awards will offer excitement and inspiration.” Visit the festival’s website (in English or German) to see the schedule and to learn more about the festival.
Saturday, June 4, 2011, 4-6 pm
Free and open to the public
Moderated by: Stephen Mayes, Managing Director, VII Photo
Despite belt-tightening at most publishing companies, photobooks are experiencing a renaissance in the midst of the digital revolution. In early 2010, Miki Johnson and Andy Adams explored this phenomenon in a month-long online discussion organized through the liveBooks RESOLVE blog, and FlakPhoto, which they respectively founded.
Moderator Stephen Mayes will guide an interactive tour through many of the questions that surfaced during the Future of Photobooks project: from “What is a book?” and “Why make or buy a book?” to “Will self-published photobooks ever be profitable?” and “Do more photobooks in the world ultimately make each book less valuable?”
The Flash Forward Festival is being held in Boston at the Fairmont Battery Wharf.
On May 24th, Mary Virginia and Darius were at BookExpo America, the annual publishing trade industry event (in NYC) signing books at an event hosted by their publisher Princeton Architectural Press.
Contributors and colleagues and friends at AIPAD checking out the book (top to bottom):
Mary Virginia Swanson gripping the lone advance copy!
Peggy Roalf, editor of DART Blog, with the coauthors
Debra and Darren of KlompChing Gallery and PDN Magazine
Lesley A Martin of Aperture Foundation
John Gossage, a featured Case Study
Paolo Ventura and Denise Wolff, contributors
Robert Morton, contributor
When we first started working on the columns that ran in photo-eye Booklist from 2004-2007, we envisioned quotes and interviews with a wide range of professionals and experts in the fields of publishing and photography. Talking with different editors, publishers, designers and photographers made the column truly interesting and grounded. In preparing the book, we kept that diversity intact. Over 50 contributors appear in our book, from 2 sentence quotes sprinkled along the top edges of pages, to essays and interviews with publishing professionals that run to several pages. These sections are titled Industry Voices and are embedded in each chapter, adding to the complexity and breadth of the book.
Publish Your Photography Book wouldn’t be what it is without these voices from the industry, and we want to thank them publicly!
(listed in order of appearance)
Chapter 1. The Photography Book Phenomenon
Frish Brandt, George Thompson, Martin Parr, Jeffrey Ladd
Chapter 2. The Nuts and Bolts of Publishing
Todd Hido, Dale Stulz, Chris Boot, Jason Fulford, Robert Morton, Michelle Dunn Marsh, Geoff Blackwell, Alexa Becker, Lance Speer, Gary Chassman, Joan Brookbank, Deborah Aaronson, Markus Hartmann, Theresa May, Patricia Fidler, Nancy E Wolff, Raymond Meeks, Jennifer Thompson, Lesley A. Martin, Eileen Gittins, Daniel Milnor, Allison V. Smith
Chapter 3. The Making of Your Book
Sam Abell, Leah Bendavid-Val, Denise Wolff, Andrea Danese, Lorraine Wild, David Chickey, David Skolkin, Bob Aufuldish, Sue Medlicott, Mark Klett
Chapter 4. The Marketing of Your Book
Nan Richardson, Scott-Martin Kosofsky, Joanna Hurley, Chris Pichler, Jane Brown, Shannon Wilkinson, Jo Whaley, Rixon Reed, Roy Flukinger, Daile Kaplan
Chapter 5. Case Studies
Alec Soth, Paula McCartney, David Maisel, Lisa M. Robinson, Alex Webb and Rebecca Norris Webb, Sean Perry, John Gossage
And providing fantastic quotes for the back cover are:
Jen Bekman, Gerry Badger, Dennis Keeley
Thank you all!