Center for Documentary Studies at Duke University | The Honickman Foundation
Call for Entries: CDS/Honickman First Book Prize in Photography
Deadline: Monday, September 15, 2014, 11:59 pm EDT
Entry Fee: $70
“Center for Documentary Studies (CDS) at Duke University and The Honickman Foundation (THF), based in Philadelphia, co-sponsor this prestigious biennial prize for American photographers. The only prize of its kind, the CDS/Honickman First Book Prize in Photography competition is open to North American and Canadian photographers of any age who have never published a book-length work and who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. The prize honors work that is visually compelling, that bears witness, and that has integrity of purpose.
Winners of the CDS/Honickman First Book Prize in Photography receive a grant of $3,000, publication of a book of photography, and inclusion in a website devoted to presenting the work of the prizewinners. The winner will also be given a solo exhibit at the Center for Documentary Studies and the photographs will then be placed in the Archive of Documentary Arts in Duke University’s Rubenstein Library.
Joshua Chuang, Chief Curator of the Center for Creative Photography at the University of Arizona, will serve as panel judge for the selection committee that chooses the semifinalists and finalists for the prize.
For eligibility and how to enter, and to learn more about the prize visit firstbookprizephoto.com.
Indie Photobook Library | Conveyor Arts
Call for Papers: The Contemporary Photobook: New Perspectives in Publishing
Deadline: Sunday, July 20, 2014
“Conveyor Arts is pleased to announce an open call for writing submissions, to be considered for the forthcoming publication The Contemporary Photobook: New Perspectives in Publishing, edited by Larissa Leclair, and published in collaboration with the Indie Photobook Library.
This collection of essays will discuss the current state of the photobook in historical context, specifically focusing on the rise of independent and self-published imprints and their role in reshaping the publishing paradigm.
Essays – The Following Topics Are Encouraged
I. Essays addressing the current state of the independent and self-publishing movement from curators, historians, critics, collectors, designers, printers, booksellers, and other relevant participants who can provide insight into the multifaceted world of the photobook.
II. Essays discussing the influence of past movements on trends and happenings in a contemporary photobook scene in terms of subject matter, formal considerations, means of production, sources of distribution, and so on.
III. Essays discussing the overlap and schisms between the traditional artist book community and the photobook community.
IV. Essays discussing the complexities of the self-publishing movement, including the positive and negative aspects, for artists, publishers and photobook community.
V. Case studies addressing current happenings in photobooks worldwide. This includes submissions that highlight a current photobook scene in a specific country, region or community.”
For the full prospectus and to apply visit: https://contemporaryphotobook.submittable.com/submit.
“Applications are now open for the NY ART BOOK FAIR 2014! For the ninth edition of Printed Matter’s NY ART BOOK FAIR, we will return to MoMA PS1 in Long Island City, Queens, from September 26th through 28th, 2014.
To apply as an exhibitor, please visit nyartbookfair.com and click the application link at the top of the page. Applications will close on June 30th, 2014. We will start to allocate booths as early as June 15, so please don’t delay!”
“photo-eye is happy to present our Best Books of 2012. This is the time of year when nearly every publication comes out with at least one year-end list. Some people love them, some hate them, and their value is nearly always up for debate, yet they seem irresistibly interesting. What we strive for with our list is a little different from most, and this year we thought we’d clarify our process.” Click here to read the full article and to see the extensive list of books.
A final jury in Paris, including Els Barents, Director of the Huis Marseille Museum of Photography; Roxana Marcoci, Curator of Photography at the Museum of Modern Art, New York and Curator of the Paris Photo 2012 Platform; Edward Robinson, LACMA associate curator of photography; Thomas Seelig, Curator of the Fotomuseum Winterthur, will select the winners for both prizes, which will be revealed at the opening of Paris Photo on November 14, 2012.
A $10,000 prize will be awarded to the photographer/artist* whose first photobook is deemed by an independent jury to be best of the year.
Criteria for Eligibility
- A book in which the dominant content is photography, produced in physical form, and distributed either for purchase or free of charge.
- A book which is the first by the given photographer/artist is eligible for entry, whether a first self-published book, a first limited-edition book, a first gallery-published collection, a first book made available by print-on-demand, or a first book published by a publisher for release in the book trade. A first book published by an established publisher is eligible for entry even if the photographer/artist previously released a self-published book or a limited-edition book for distribution outside the trade. However, once a photographer/artist has had a book published by a mainstream publisher in the book trade, a subsequent book (whether self-published or not) is not eligible for entry.
- May be released by a publisher (in a trade or limited edition) or self-published.
- First books eligible for entry include those produced via print-on-demand.
- A book released by a publisher is eligible if it is the first trade book by the given photographer/artist, even if an earlier limited-edition or self published book has previously been made available by that artist/photographer.
- Books must be produced or published between September 1, 2011, and September 8, 2012. Books produced before September 8, 2012, but not due for release or publication until a later date in 2012, are also eligible.
PhotoBook of the Year
The PhotoBook of the Year Prize will be awarded to the photographer/artist*, and publisher responsible, whose book is deemed by an independent jury to be the best of the year.
Criteria for Eligibility
- A book in which the dominant content is photography, produced in physical form, and published in an edition of no less than one hundred copies.
- Books must be produced or published between September 1, 2011, and September 8, 2012. Books produced before September 8, 2012, but not due for release or publication until a later date in 2012, are also eligible for entry.
*Books by or featuring the work of more than one photographer/artist are eligible in both categories.
First PhotoBook: $30 per book
PhotoBook of the Year: $60 for first entry from a given publisher, $30 for each subsequent entry from the same publisher”
“Open to all photographers who have an interest in photo books and the process of self-publishing. Held in celebration of the Indie Photobook Library, a selection of which is on display at the PRC this month.
Neal Rantoul is a career artist and teacher. He has taught photography since 1971. He is currently head of the Photography Program at Northeastern University and taught for thirteen years at Harvard University as well as at the New England School of Photography. Rantoul is member of the Board of Directors of the PRC.”
832 Commonwealth Avenue
Boston, Massachusetts [map]
Photographic Resources Center at Boston University
“Threefold” Selections from the Indie Photobook Library
Curated by Larissa Leclair, Shane Lavalette and George Slade
Reception: Wednesday, September 21, 2011, 6:30 to 8:00 pm
Exhibition will be on view until November 12, 2011.
“In the last decade various technologies have enabled artists to publish not only small editions of a book, but individual volumes when needed. Now, instead of a few books being made in large quantities, many books are being made in small quantities. The Indie Photobook Library (iPL), founded by Larissa Leclair in 2010, is committed to cataloging and preserving examples of the multitude of books that may never find their way into conventional library catalogues because of their modesty, or because they were often created by individual artists whose practice doesn’t include conventional distribution.
“Threefold” reflects the idiosyncratic interests of three curators — Shane Lavalette, Larissa Leclair, and George Slade — each adopting a unique focal point in an attempt to represent a remarkable moment in contemporary independent publishing.” (From the PRC’s website.)
Photographic Resource Center at Boston University
832 Commonwealth Avenue
Boston, Massachusetts 02215
In November 2009 Elizabeth Avedon interviewed Eric Miles, Director of photo-eye Auctions about photo book collecting. You can read the still very relevant interview here, on Elizabeth Avedon’s blog.
At the end of May we told you about a panel discussion about “The Future of Photobooks” happening at the Flash Forward Festival in Boston. On Saturday, June 4th, Andy Adams, Miki Johnson, Shane Lavalette, Michael Itkoff, Bruno Ceschel, and Alan Rapp participated in this discussion, moderated by Stephen Mayes, Managing Director, VII Photo. ”The discussion explored the state of photobook production, consumption and distribution in the Internet Era.”
If you were not able to attend the festival, you can see a video of the discussion here or on Andy Adams’ website. Scroll down on the page on his website so you don’t miss the extensive list of online photobook resources Andy has up there as well (thanks, Andy!).
Los Angeles: “To Be Published or Self-Publish? Options for Artist” at ARTBOOK @ Paper Chase, July 11th
Coauthors Mary Virginia Swanson and Darius Himes will give a 30-minute visual presentation for artists who wish to bring their art work to book form, discussing both traditional publishing and self-publishing avenues towards helping determine the pros/cons of each path. Following their lecture, MVS and DH will lead a discussion with industry professionals involved in making, distributing and selling of art books: Nicole Katz, cofounder Paper Chase Press; Mathew Swenson, Creative Director, Paper Chase Press; Jane Brown, Director, ARTBOOK | D.A.P. (Distributed Art Publishers); and Tosh Berman, Book Buyer, Book Soup. Time will be allotted for Q&A. Copies of Publish Your Photography Book will be available for purchase at the event.
Nicole Katz is the owner of Paper Chase Press and Eighth Veil. Founded by Nicole’s family in 1976, Paper Chase combines its commercial press and bindery with Eighth Veil’s program of exhibitions and publications on contemporary art.
Mathew Swenson is the creative director of Paper Chase Press and founder of Paper Chase Intelligence (PCI). PCI is a creative services bureau that offers its clients access to freelancers like writers, designers, and photographers without the typical bureaucracy of an agency. Through PCI he, provides guidance to grow his clients’ brands through marketing and social networking initiatives.
Jane Brown is Vice President, National Accounts Director and Director of ARTBOOK @ Paper Chase. She’s been a sales director at D.A.P. (now called ARTBOOK | D.A.P.) since 2002. Founded in 1990, ARTBOOK | D.A.P. has grown into a major international distributor of books, special editions and rare publication from an array of the world most respected publishers, museums and cultural institutions.
Tosh Berman is the publisher and editor for TamTam Books, as well as the book buyer for Book Soup, an independent bookstore in West Hollywood. Tosh is currently working on a book on the band ‘Sparks’ as well as a memoir “My Struggle” of his teenage/childhood years.
MVS and DH are offering private project consultations on July 10th and 11th; click here for details.